|
Browse by Keyword
|
|
|
|
|
|
|
Converging and Tracing the Origins: The Analysis and Exploration of the Early Taiwanese Calligraphic Works and Paintings Collected by National Taiwan Museum of Fine Arts
|
|
Author |
黃冬富撰文
|
Language |
Chinese
|
|
Publisher |
|
Pages |
586
|
|
Publication Date |
2024/01
|
Binding |
精裝
|
|
ISBN/Barcode |
9789865329419
|
Collection |
|
|
Product Dimensions |
27.5公分 x 19公分
|
|
|
|
|
|
Book Description |
|
The National Taiwan Museum of Fine Arts’ collection of early Taiwanese calligraphy and painting spans from the Ming and Qing dynasties (1662–1894) to the Japanese colonial period (1895–1945), showcasing over 300 years of artistic development. Early works include Loyalty Maxims in Running Script (attributed to Zhu Shuguì) and Heroic Essay in Running Script (attributed to Zheng Chenggong). To present the richness and diversity of these collections, the museum published Confluence and Origins: Early Taiwanese Calligraphy and Painting, a two-volume set featuring 97 works from the Ming–Qing period and 153 from the Japanese colonial era.
|
|
|
|