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Framing and Filling: Ko Liang-Chih Solo
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Author |
柯良志、余思穎編
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Language |
ChineseEnglish對照
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Publisher |
Taipei Fine Arts Museum
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Pages |
64
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Publication Date |
2025/10
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Binding |
平裝
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ISBN/Barcode |
9786264100809
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Collection |
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Product Dimensions |
24 x 18 cm
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Book Description |
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This exhibition takes its title from a classical technique found in traditional Chinese painting and calligraphy. “Framing” refers to the outlining of character forms using fine, controlled ink lines, while “Filling” reveals the subsequent process of inking within the contours. This method emphasizes both the construction of external forms and filling of internal content while embodying a co-constructed relationship between structure and meaning. By adapting this historical technique, the artist not only engages with the lineage of calligraphy practice, but also reinterprets the term “Framing” and “Filling” as a conceptual model for contemporary art-making. This model implies a dual approach: the framing of contemporary social appearances, and the critical filling-in of the vacuums, absurdities, or recursive problems within. Through this, the work constructs a language of art grounded in critique and reflection. The exhibition considers the evolving form and meaning of calligraphy in contemporary practice. It investigates how calligraphy circulates and is reactivated within everyday contexts and invites viewers to engage with “writing” as an open-ended and imaginative act.
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