浪子:流亡的騎士

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浪子:流亡的騎士




簡介

英國文學史上第一位「為了麵包而寫作」的女性作家阿芙拉.班恩(Aphra Behn),她有著戲劇化的前半生,而其代表劇作《浪子》也相當辛辣。
本劇共分五幕,講述十七世紀中葉流亡海外的英國保皇騎士們與西班牙貴族女子之間的戀情。故事描述一對貴族姊妹,一位被迫嫁給富有的老男人,一位被安排去修道院當修女,兩種命運都是不同形式的終身監禁。她們在歡樂與失序的嘉年華期間,掙脫父兄的控制,大膽為自己追尋真愛。一場嘉年華,讓這對姊妹拋開階級枷鎖,扮成吉普賽人,勇敢為愛闖蕩,卻因此身陷於男人們虎視眈眈的危險當中……

【本書係國家科學及技術委員會人文社會經典譯注計畫】


目次

推薦序/紀蔚然 ······················································································································································iii
導論/謝筱玫 ·································································································································································1
浪子:流亡的騎士 ·············································································································································47
角色表 ······························································································································································48
場景 ······································································································································································49
序 ··············································································································································································51
第一幕
第一景 ··············································································································································55
第二景 ··············································································································································65
第二幕
第一景 ··············································································································································81
第二景 ··············································································································································95
第三幕
第一景 ···········································································································································105
第二景 ···········································································································································118
第三景 ···········································································································································120
第四景 ···········································································································································124
第五景 ···········································································································································125
第六景 ···········································································································································129
第四幕
第一景 ···········································································································································135
第二景 ···········································································································································138
第三景 ···········································································································································157
第四景 ···········································································································································161
第五景 ···········································································································································162
第五幕
第一景 ···········································································································································169
跋 ···········································································································································································195
後記 ···································································································································································198


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